10/08/2010

Madonna Talks 'W.E.' Film, Gets Glamorous In Interview

Madonna Talks 'W.E.' Film, Gets Glamorous In Interview

'W.E.' has 'been kind of an obsession of mine,' she tells Gus Van Sant in magazine.


By James Montgomery (@positivnegativ)

In the May issue of Interview magazine, Madonna reveals details of her upcoming film "W.E.," somewhat fitting, considering she was speaking with director Gus Van Sant.

The film — co-written by Madonna (who will also direct) and "Truth or Dare" director Alex Keshishian — is set to begin photography this summer and flashes back and forth between pre-World War II England and New York in 1998. Though the plot remains a tightly guarded secret, Madonna made it clear that early reports on the film had at least one key aspect wrong.

"Yeah, [it's] the movie everyone thinks I'm making that's supposed to be a musical about the duke and duchess of Windsor. I don't know why that got in the newspapers," she tells Van Sant. "The duke and duchess of Windsor are in the movie, but it's not going to be about them. It's really about this other woman's journey, and the duchess is kind of her spiritual guide. ... I use the Sotheby's auction in 1998 of the duke and duchess of Windsor's estate as a device to flash backward from."

Madonna freely admits that the concept behind "W.E." is "fantastic and complicated," involving not only the lives of the duke and duchess of Windsor, but "a girl who has this obsession and is going to the auctions." It's a complicated piece and very much a labor of love.

"I've been writing it for the last two and a half years, to tell you the truth. It's been kind of an obsession of mine," she said. "I started writing it when I finished filming [2008 directorial debut] 'Filth and Wisdom.' It was actually an idea I had before that, but I made 'Filth and Wisdom' because I realized that I didn't really have a right to make a bigger film until I made a smaller film — and learned how to make a film."

In the issue — which hits newsstands in New York and Los Angeles on Tuesday and goes nationwide May 11 — Madonna also admits that working on the film has shifted her focus away from her other career.

"I don't have a record deal right now with anybody. I don't know how I'm going to get my music out the next time I make a record," she said. "I'm going to have to reinvent the wheel. I haven't really been focused as much as I should be on the music part of my career, because this movie has just consumed every inch of me. Between that and my four children, I don't have the time or the energy for anything else. For example, I do appreciate that lots of people worked long and hard putting together things like the DVD of the Sticky & Sweet Tour that we just released, and I have seen the finished product, but I have got no idea how people are going to find out about it or how it's going to be sold."

"They'll find it," Van Sant said.

"Hopefully," Madonna joked. "I think I have a fan club — well, that's what they say."

Are you excited to see Madonna's high-concept movie? Let us know in the comments below! For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

For Madonna`s pictures, check: http://www.mtv.com/photos/madonnas-may-2010-interview-magazine-spread/1638261/4832633/photo.jhtml

For Madonna's interview on Interview: http://www.interviewmagazine.com/music/madonna/

See video: http://www.interviewmagazine.com/media/video/18478

Kayaking in Greece

Kayaking around Crete


Paddling around Greece's largest island rewards aching arms and torso with bath-water warm seas, pristine beaches and a lesson in the region's ancient roots.

Paddlers arrive at their final kayak destination, the small harbor of Loutro. (Nature Maniacs)

By Heidi Fuller-Love Special to the Los Angeles Times

July 4, 2010

Reporting from Palaiochora, Crete — —

I'm standing on a slice of paradise in Crete. The sun is burning down out of a blue sky, the sandy beach beneath my feet is stretching to crystal-clear sea, but terror is numbing my senses. Kayak instructor Russ is explaining that we're going to capsize our lightweight Rainbow Lasers, then unsnap the spray skirt holding us in, and eject from the submerged cockpit in a forward rolling somersault.

"I didn't join this trip to become James Bond," says Jim, who's busy squeezing what he calls his "good-living gut" into a canary yellow lifejacket.

"Doing this is the major fear of most novices," Russ says. "Get it over with and you can settle down and enjoy the trip."

He's right. Popping out of the bath-warm sea beside my turned-turtle kayak a few minutes later, I wonder what all the fuss was about. The sky is blue again, the sea looks gorgeous, and I'm raring to spend the next seven days kayaking along the rocky southwest coastline of the Mediterranean's' fifth-largest island.

Dominated by its Venetian fortress starkly outlined above a glitter of tomato-producing greenhouses, our starting point, the popular resort of Palaiochora, recedes in an early mist the following morning as we paddle out in single file behind Russ. All four of us are neophyte kayakers, but as the slowest paddler I'm soon promoted to leader of the pack. "That way, no one gets left behind, and since no one can get ahead, it gets rid of any competitive behavior," Russ says.

Although I hit the gym twice a week, I'm no Jean-Claude van Damme. Luckily, sea kayaking is a sport where a lithe torso counts more than muscles-from-Brussels. Even so, strokes are awkward at first, and I'm soaked to the skin, baked in the burning spring sun, then soaked again. By the time we beach that evening at Kedrodasos, a deserted cove, I ache all over and I'm wondering whether I'll make it to the end of the week.

The light from a fiery grid of stars helps us pitch our tents on a shell-strewn beach and cook our first castaways' dinner: canned tuna mixed with pasta boiled in water from one of the kayak's 10-liter emergency bladders. Tongues loosened by raki, the local firewater made with grape skins left over from winemaking, we learn that Laure has split with her partner and seeks a new challenge, Jim wants an antidote to city life and Chris is an adrenalin junkie getting his fix. Russ, our fiftysomething instructor from Colorado, confides that he started teaching kayak to escape the ski slopes. "After years of teaching skiing my feet were a mess — I don't have that problem with kayaking," he says in jest.

That night I drowse uneasily, fazed by the lack of orange street lights and rattled by strips of eucalyptus bark dragging ghostly toenails along the beach. The next morning I'm awakened by someone throwing sand at the tent. Staggering out to pick a fight, I come face to face with my adversary: the wind. Casting an expert glance at the waves capped with white, Russ tells us to pull on our waterproof anoraks.

"Sounds ominous," Laure says nervously.

A few strokes out from the island's lee, we're battling huge swells and wind gusts, called microbursts, that stop us dead in our tracks or threaten to capsize us. "Keep together; don't use your paddle like a coffee spoon; keep your body centered and bend from the waist; think of your kayak like a mermaid's tail. Let it become an extension of your body," Russ cajoles over the whack of the water.

Barely more than 3 feet high, these waves seem huge from the cockpit of my fragile craft. I find myself empathizing with the Minoans, whose civilization, which flourished along this coastline from 2800 BC onward, was all but wiped out in 1450 BC by a giant wave produced by the eruption of Santorini's volcanic archipelago to the north.

My father, a keen sailor, says the Med is one of the world's most changeable seas. As if to prove it, a couple of hours later the wind has changed, and we're racing along in a pleasant rocking-horse swell. We're on our own now, cut off from the world by the snow-capped Lefka Ori mountains. No roads descend to this strip of coastline, where rebels have taken refuge during successive Cretan uprisings and the glittering coves and sandy beaches are deserted. "Very few strangers visit this area; this is still one of the quietest and most remote areas of Crete," Russ tells us. Cowed by these commanding crags, we paddle in silence, serenaded by the slap of water and the wild cry of gulls, to Lissos.

At its peak this ancient Dorian city had 30,000 inhabitants and minted its own coins stamped with the image of Artemis, Apollo's twin sister. Sacked by savage Saracen Arabs sometime in the 9th century, this isolated site, which can be reached only by foot or sea, was abandoned until 1957 when it was discovered by a shepherd seeking water for his flock.

As a cool spring wind herds cloud-sheep over the brooding mountains, we wander among sundered arches and drunken columns, admiring delicate mosaics and gathering fragrant fistfuls of wild thyme for the evening's barbecue.

By Day 4, my palms are covered with tiny, weeping blisters, but I'm getting used to metering my day with paddle strokes. Despite bruised arms, aching thighs and sore buttocks, I've become attuned to the metronomic rhythm of early launch, scenic paddle, midmorning pause for a pick-me-up of bitter black coffee, culminating with stops to visit booming sea caves and atmospheric ancient sites.

To give our wounds a chance to heal, on Day 5 we squeeze into a minivan and climb 4,100 feet to Omalos, a hamlet guarding the Samaria gorge.

Russ tells us that in summer the crowds are so dense in this canyon, said to be one of Europe's longest, that hikers are forced to follow in one another's footsteps. Now, on a chilly morning in early May, tourists are thin on the ground, and we have time to gawk at the Griffon vultures blotting out the sun with their huge wings as they circle over our heads, or admire the wild spring flowers coloring the rugged landscape beneath our feet.

About halfway through the walk, we come to the village of Samaria, abandoned in 1962 when the gorge was classified as a national park. After picnicking in the shade of this ghost town's Byzantine church, we skitter down, through rock falls and swollen streams, to the black-sand beach of Agia Roumeli, where we laze till evening, bathing our bruised and aching bodies in the balmy sea.

Loutro is the final destination of our weeklong trip. Paddling toward this fishing hamlet, a net's throw from Hora Sfakion, where celebrated Cretan revolutionary Daskalogiannis (Giannis the teacher) was born, we procrastinate. Spinning out the moment before our kayak odyssey will come to an end, we stop at Marmara beach, a popular nudist spot at the end of the Aradena Gorge, and linger over thimbles of raki and plates loaded with dakos rusks soaked in olive oil and sprinkled with crushed tomato, in the resort's only tavern.

An hour later we make our final sprint, racing one another to be first to enter Loutro's pristine port, framed by brilliant white houses buried in braids of scarlet bougainvillea. Handing back my paddle, I feel as though I'm losing a vital body part. Changing gears in my rental car seems bizarre compared to the fluid movements required to propel a kayak. Sweet as an epiphany, a Hans Christian Andersen tale pops into my head. I think I'm beginning to understand what the Little Mermaid felt when she shed her tail.

travel@latimes.com

http://www.latimes.com/travel/la-tr-crete-20100704,0,1945070.story

photo by Mark Seliger

DEMI MOORE'S DREAM LIFE: THE INTERVIEW

She's lived in the spotlight for decades, but with her modern family, fresh style, and takeover of Twitter, the actress is ahead of her time. See the Demi Moore cover shoot.

BY LAURA BROWN

Demi Moore has a wonderful life up in the Hollywood Hills. She lives in an aerie that could fit a giraffe, has a chef that makes delicious vegetably things that make you feel like a better person, and serves more beverages than you can poke a stick at (coconut water? Red Bull?). Add to that, she married Ashton Kutcher, the dude who lost his car but found love with a woman 15 years his senior and scooped up three stepkids, Rumer, Scout, and Tallulah, in the bargain.

Today, Demi is plopped on the floor of her screening room — huge man-size television, paintings of bears, orange shag rug — in vintage high-waisted 501s, a T-shirt that says WHAT GOES AROUND COMES AROUND, and thick black glasses. (Baby's first glasses are on her childhood Twitter profile pic.) She is drinking Vita Coco coconut water, since she's weaned herself off an "eight-a-day" Red Bull habit. "I don't like drinking water, so this is great," she says. Ask her the secret to her age-defying hotness (obviously not traditional hydration) and she replies, "Hotness? Well, if you want to look at how dorky I am." But look no further than her hands for a little movie-star fabulosity: two diamond Cartier Panthère rings. Panthères as in panthers, which some people call pumas. Demi likes pumas; she infinitely prefers them to cougars. "Cougar has become so distasteful," she says, nose wrinkling. "I really hate that expression." She said recently that when it comes to her relationship, she'd prefer to be called a puma. "It has a sweeter quality, more elegant. And then somebody said to me, 'Pumas are only for people in their 30s.'"

Eh? It's like navigating a Hugh Hefner version of Animal Planet. "Somebody really offended me on Twitter by saying, 'How is that better, switching from one predator to another?' I wrote back, saying it's important to keep your sense of humor."

Demi has these cyberdebates daily. She and Ashton have famously launched themselves into the Twitterverse, she with two and a half million followers, he with four and a half million. It's a brave new world of accessibility: Search for "mrskutcher" and see everything from their recent trip to Africa (elephants!)to pictures from this shoot (giraffes!) to Demi's "bad-hair" night at home when Ashton was at the Golden Globes. "I was sick," she says, laughing. "Bad hair was an unfortunate by-product."

But, more important, Demi uses Twitter as a forum for her calls for awareness of sexual trafficking and slavery. The couple recently established the DNA Foundation, which has been working with the State Department. "It is something that we are committed to, particularly as it relates to underage girls," she says. "We want to have some effects on legislation in the U.S." She is practicing what she preaches: More than half of her posts are on the subject, directing followers where to get involved.

So, do the Kutchers have a stake in Twitter or what? "Do not. We should, but no, to be very clear, we have no side financial relationship whatsoever." So basically — for now anyway — they just dig it. "I like to connect to people in the virtual world," she explains, "exchanging thoughts and ideas, when in the physical world we might never have the opportunity to cross paths."

But being so out there — even virtually — can cut both ways, as Demi has discovered. For every few "Demi, I love you/your hair/your husband"s, there's a bitch or two or three. That said, she relishes the fact that she can speak for herself. Recently, it was to have her say in the controversy over the alleged retouching of her hip on the cover of W magazine late last year.

"Okay, that is literally my shape," Demi says, sticking her leg out for effect. What bothered her, she says, "wasn't that people were saying it was retouched, it was that they were saying my hip was so badly botched because a hunk of it was taken out. I called the photographers, and they said, 'We did not touch anything on your hip, your thigh, or your waist. It was the position.' Actually, somebody sent me an image I retweeted on Twitter. It was this beautiful marble statue, and the body position was exactly the same as what I was doing. This person had outlined how the hip goes in and the leg goes out." So silence thee, hip haters.

Being snake-hipped is fabulous for fashion, though. But Demi, who is a size 2, tops, recently discussed the shrinking size of models with her friend, Lanvin designer Alber Elbaz. "Models, even male models — how small they've gotten! It looks great for the clothes, but it's not what you want in real life. Why do we have to keep looking at ourselves and measuring?"

Demi has long supported young American designers (she was one of the first to wear Proenza Schouler and is a big fan of rising star Prabal Gurung), as much as she loves her Lanvin. She has "two modes: baggy boyfriend jeans and a T-shirt with a little cardigan and ballet flats. And then I have the other part of my life that's dress-up." That translates into slinky cocktail numbers that are as glossy as her famous mane of hair. In this session, Demi wears an abstract print dress from the late Alexander McQueen. "McQueen was a genius," she says. "I was always thrilled to wear his clothes because they were more than fashion; they were truly works of art." She sees more in fashion than just clothes. "I met Roland Mouret the other night, and he said, 'Fashion is a language without words.' That's why I love it."

When Demi met Kutcher at a play in New York in 2003, she was doing "dress-up" — to be specific, wearing a strappy blue Proenza Schouler cocktail dress. In short, she winks, it was "the dress that gets results." Common lore has it that the pair were introduced by that erstwhile cupid, Sean "P. Diddy" Combs, but no. "It was another friend," Demi says with a smile, stirring the vegetable concoction brought in by her smiling lady chef. "It was an effective evening. It was a life-changing evening."

And it was a feverishly documented courtship. "I knew it had the potential to be something special right away," she says. "It was like meeting somebody that I've just known where you just recognize one another. It was so disproportionate, the level of emotion we were experiencing to the time we had spent together. But when you don't know someone, you can't just jump and say 'I love you.'" Nice to meet you, I love you! "Yeah. No. We used to end our calls or e-mails with 'And everything we don't say.' It just seemed too much, too soon."

And here they are, seven years after meeting and five after marrying. When not on set, red carpets, or school runs, the two stay at home and watch Hoarders, Intervention, and Demi's new favorite, Jersey Shore ("It's an accident waiting to happen, and so you can't not look"), and sometimes even propositioning each other via — you guessed it — Twitter.

In her own way, Demi has been a face of every decade. She grabs the zeitgeist and runs with it, from '80s Brat Packer to '90s box-office empress to this new decade's queen of celebrity cyberspace. "I have three kids, so I'm surrounded by teenagers," she explains, "and I'm married to a younger man. But I think it's generally being interested in where the world is going."

And despite what antiaging ads say, growing older can be better. "I feel better in my skin, 100 percent," she says. "That's the tradeoff. You have greater effects of gravity, but the better sense of yourself you have is something I wouldn't trade. Women who lie about their age — why?" She'll try a new skin cream (her latest, Stemulation, along with the Clarisonic Opal, a sonic skin-care machine), "but I'm not an extremist. I mean, I'm not risky with haircuts. Someone did just bring me the latest fad from Russia, though," she laughs. "Horse shampoo and conditioner."

This month, Demi is returning to territory as familiar as that epic head of hair: the movies. In The Joneses, a satire of consumerism, she stars opposite David Duchovny as a member of a fake family employed to plug commercial goods. "The heart of the story is people who have leveraged their lives for stuff, for that external measure of success," she says. "But stuff doesn't make us happy." Yeah, apart from the leopard Yves Saint Laurent dress that Demi swans about in; good luck not wanting that.

Demi Moore, movie star for more than two decades, still has keeping-up-with-the-Joneses moments. "I think Ashton would say I want a butler. Knock on the door and he says, 'Good afternoon, Ms. Moore will be with you directly.'" She cackles while her chef comes to clear the plates. "That would be good."

http://www.harpersbazaar.com/magazine/cover/demi-moore-cover-interview-0410


COVER SHOOT (see Demi’s pictures): http://www.harpersbazaar.com/fashion/fashion-articles/demi-moore-cover-shoot-0410


April 2010
In Scotland, a toast to high spirits


In the land of Johnnie Walker and Chivas Regal, Scotch is king. After a wee dram, it's time to hunt Nessie and ghosts. The ruins of Urquhart Castle perch on a rocky promontory above Loch Ness. Most Nessie sightings occur near the ancient stronghold. When not on the trail of the Loch Ness Monster, many visitors travel a different trail, one involving Scotch whiskey. (Rosemary McClure / For The Times)

By Rosemary McClure Special to the Los Angeles Times

July 9, 2010
12:34 p.m.

Reporting from Edinburgh, Scotland —

I came to Scotland in search of the Loch Ness Monster and found a ghost instead. Of course, I also sampled a lot of Scotch, which might lead some to think my vision was impaired. To those naysayers, I say, "Chill." My camera recorded the event. At least I think it did.

But let me start at the beginning.

Scotland has always appealed to me. Its wild places — its mountains, moors, lochs and islands — speak to my Scotch-Irish heritage. I'd love to take a month off and hike the high mountains and walk the deep green glens of the Highlands, then cap that off with a month of island hopping, sailing to as many of the Scotland's windswept isles — there are more than 700 — as possible.

Who has that kind of time or money? Not I. So I went for a week instead, taking in as much as possible. My plan would take me to the Highlands; I'd spend a day peering into the unfathomably deep waters of Loch Ness, plunge into the milieu of the Middle Ages within the historic stone walls of Scottish castles and hop across the water to see an island or two. I'd also try to learn a bit more about one of the nation's most famous exports: its smooth, mellow malt liquor. Scotch may not be America's favorite hard liquor — vodka holds that title — but Americans manage to knock back more than 100 million bottles a year, from inexpensive blends to high-brow varieties with prices to match. Michael Jordan's favorite, the Macallan's 25-year-old single malt, costs about $600 a bottle off the shelf.

U.S. bars that cater to Scotch drinkers, such as the Daily Pint in Santa Monica, stock hundreds of varieties; members of the Los Angeles Scotch Club (www.lascotchclub.com) work hard to sample their fair share. "We're a small but very dedicated community," says Andy Smith, who puts out a club newsletter to a mailing list of 350.

Like a growing number of Scotch drinkers, they prefer single malts — the product of one distinct distillery — rather than blends. "We're snobby," Smith says.

I didn't know enough about Scotch to be snobby. But Scotland has more than 100 distilleries, and half have visitor centers. They're happy to show tourists around and treat them to a "wee dram." So why not combine tasting with traveling? "I have to make sure I don't sample too much," I jokingly told a colleague before I left on the trip last month, "or I might spot the Loch Ness Monster or see a ghost." Little did I know.

The Whisky Trail

In Perthshire, about an hour's drive north of the Edinburgh airport, I tried to shake off my jet lag at the Gleneagles Hotel. Gleneagles is the kind of place where croquet wickets are a permanent lawn fixture and the valet wears a kilt. I skipped golf, tennis and the indoor pool to try my hand at falconry, a popular resort activity. "Don't worry about his beak," instructor William Duncan told me. "Worry about his talons." Easier said than done when a Harris hawk's beady brown eyes are staring at you, its beak a mere 5 inches from your eyes. He was perched on my forearm, which was covered with a heavy leather glove. I leaned away from the hawk. "You don't look real comfortable," one of the other students said.

The hawk ignored me; he was well trained even if I wasn't. When I moved my arm in a sweeping motion, he flew away. When I put my arm back out, he returned to perch on it. "OK," I squeaked at the instructor, "you can take him now. He's a nice hawk, but I think I'll go play croquet."

If I needed a little liquid courage, I didn't have to look far. The countryside is laced with distilleries, and the next day, I visited my first, Cardhu, home of Johnnie Walker (www.discoveringdistilleries.com), said to be the world's largest-selling blended Scotch. Cardhu, set in a scenic rural area and surrounded by rolling green hills, was established in 1824 and is known for its sweet, smooth, mellow malt. I joined a tour, saw the pot stills where Scotch is created, tasted a bit, and then took a stroll outside. On a hillside nearby was a famous local resident, a highland cow, which looked up at me through its fringed bangs.

More distillery visits would follow. Scotch is a $10-billion a year industry, one of Britain's top exports. More than a million visitors tour Scottish distilleries each year, many of them tourists like me. I'd arrived in a region of the Highlands called Speyside, site of the Scotch Malt Whisky Trail. Although 90% of the Scotch produced is a blend, single malts account for most of its recent growth. About 50 distilleries line the banks of the River Spey on the eastern side of the Highlands; a marked trail (www.maltwhiskytrail.com) points the way.

The region may be famous for its Scotch, but I tried to focus on its other charms too. The Spey River winds lazily through the countryside, its tranquil waters reflecting the green hillsides, villages, well-tended farms, ancient castles and grazing sheep and cattle.

I roamed the area visiting distilleries: Strathisla, home of Chivas Regal (www.chivas.com) and one of the oldest and most picturesque distilleries in Scotland, the Macallan, (www.themacallan.com) and the Glenlivet, (www.glenlivet.com), where I ran into some fellow Californians.

Gary Goodson, a former superintendent of San Gabriel Unified School District, was on a two-week tour of Scotland. "It's fun to walk around the distillery and talk to people about Scotch and life and liberty," he said. His wife, Marian, interrupted and said with a laugh, "Don't get him started. He's had three shots already; he'll go on forever...."

Goodson was partial to Glenlivet; I found I also liked its Scotch, particularly Nadurra Triumph, an 18-year-old single malt. Another of my favorites was the Macallan 18. I probably won't be swilling either; they're in the $70-$130 a bottle range in the U.S.

In search of Nessie

The exact origin of Scotch is uncertain. The ancient Celts called their fiery amber beverage uisge beatha (sometimes spelled uisghe or uisce) or "the water of life" They were enthusiastic producers — and consumers — who claimed the drink could cure colic, smallpox and other common diseases. Others credit it with saving Scottish lives in the winter by warming a drinker on a cold and rainy night.

Absent a cold night (it was rainy, however), I decided it was time to take a break from the tasting rooms and enjoy Scotland's nonalcoholic charms. So, I headed north about two hours' drive to Inverness and then to Loch Ness, where I boarded a small cruise boat for a tour. The clouds hung low on the hillside, the wind was light, the air fresh as we sailed around the lake said to be home to the monster. The gloomy weather added to the sinister feeling of the place.

Loch Ness stretches 23 miles, its winding edges bounded by steep, wooded hills. Tales of dragons, sea serpents and water horses stretch back to AD 565, when St. Columba supposedly confronted a roaring monster on his way to convert the local populace. The stories gained credence during the last century when photographs appeared to support the tales ("appeared" being the operative word here).

I sought out the boat's captain, John Askew, who was happy to tell me that he was one of the last people to spot Nessie, "or something." Last year, he said, he saw a large shape on the screen of his sonar; it was 750 feet below the hull and rising. He photographed the sonar screen, and the picture appeared in the local paper. No one could identify or explain the strange, large shape he spotted in a lake, where the largest fish are salmon and trout. Could it have been Nessie, which some think could be a plesiosaur that somehow managed to avoid extinction these last 65 million years.

We cruised for about 45 minutes — Nessie was conspicuous by its absence — then went ashore at Urquhart Castle, a picturesque ruin that saw centuries of turbulence and conflict during the Middle Ages.

I headed north again, driving about two hours, exploring the rugged Highlands countryside and coastline as I went. My next stop was Glenmorangie Distillery (www.glenmorangie.com), where I tasted an unusual Scotch, Signet, made with chocolate malt, and stayed at the Glenmorangie House, a country estate on the shores of Dornoch Firth, a bay on the edge of the North Sea.

I was now about 250 miles north of Edinburgh, so far north that dusk was at nearly 11 p.m., offering time to taste — and to explore. But my week was more than half over, and I needed to retrace my steps south.

In Glasgow, I took a 25-minute plane ride to Islay Island, where some of Scotland's smokiest whiskeys are made, flavored by the island peat that's used in their production. I stopped in at Laphroaig Distillery (pronounced la-FROYG, http://www.laphroaig.com); visitors receive a square foot of land, along with samples of the distillery's famous liquid smoke, and are dubbed "Friends of Laphroaig." A fun place to visit, but the smokier Scotches aren't for me.

Was that a ghost?

I saved the best part of this trip for last. It occurred in the lively Highlands resort town of Aberfeldy, about 60 miles north of Edinburgh. I'd stopped here to visit Dewar's World of Whisky (www.dewars.com), where interactive exhibits give the distillery tour a flashy flavor.

While in the area, I also toured nearby Castle Menzies (www.menzies.org), a huge 400-year-old turreted structure with a checkered past.

"Hundreds and hundreds of people died here," said castle administrator John Jack, reciting tales of war, mayhem and execution at the castle. This is the ancestral home of the Menzies Clan, a Highland tribe that once lived there. Descendents live throughout the world and come to the castle once a year for a four-day gathering.

"What about ghosts?" I asked.

"There are 20, they say," Jack said, listing a few: three executed soldiers, a teenage boy, a young girl and Lady Anne, a tyrannical chieftain's wife who lived 250 years ago.

"Strange things happen here: voices, slamming doors, a feeling that someone's just touched your arm."

Jack said he didn't completely buy into the ghost stories until last month, when a French group descended on the castle trying to ferret out its ghosts.

They shot pictures in several rooms; in two of them, bright circles of light, called orbs, appeared on the photographic images, he said.

Some people say the orbs are the manifestation of spirits in the form of balls of light; they are not visible to the naked eye but can be seen in a flash photograph. Other people say the orbs are just reflections from the flash off particles of dust in the air.

"Show me where you saw the orbs," I said to Jack. We trooped up a winding stone stairway to the top of the castle, arriving in a large open room. It was empty, save a few barrels lying against a stone wall. The room was rumored to have once been used for occult ceremonies, Jack said.

I asked him to walk across the room several times as I shot photos. I looked at the digital images: nothing. I had him cross the room again and shot one more frame. Near his left leg was a small, bright circle of light.

"Is that it?" I asked.

"That's it," he said.

Later that day I Googled "ghost orbs." The images looked like my photo.

In the past six years, I've shot tens of thousands of frames on my camera, a Nikon Coolpix 5700. None contains images like the one I shot that day.I checked with Jack recently to see whether there had been any more "sightings."

"It's a pity you are not here now as groups of orbs are showing up on almost every pic people take," he replied by e-mail.

Did I photograph a ghost? Your call.

As for me, I think I'll go get a wee dram to settle my nerves.

travel@latimes.com

http://www.latimes.com/travel/destinations/europe/la-tr-scotland-20100704,0,1664993.story?page=3

Traveling with kids to Spain!

TRAVEL


Lessons of a family vacation in Spain

Visiting Barcelona, Málaga and Granada, a mom learns to just let the fun happen for her kids, husband and herself.

Barcelona's La Rambla street, a social scene, informal stage and site of unusual stores.

(Sisqui Sanchez / For The Times)

By Patty Orsini

February 7, 2010

My husband, Tony; my daughter, Callie, 15; and son Zeke, 12, and I spent 10 days traveling in Spain in July. Callie had been living with a family there for three weeks before we met her in Málaga, on the country's sunny southern coast. From there, we traveled to Ronda and Granada before settling in Barcelona for five days. It was a lot to fit into a 10-day trip, but I had it all mapped out. Day by day. Hour by hour.

In my effort to anticipate problems, I over-worried, over-planned and underestimated my kids' resourcefulness. I stressed when I should have been serene. I tensed up when I should have settled back. And then my kids messed up my plans. And the trip got better.

Here are some things I learned from my kids that will serve me, and perhaps others, well on a next trip abroad.

Getting to Point A is a plan. What you do there is an adventure.

There was no way we would pass up the works of Picasso, Miró, Gaudí or the historic sites in Spain. But I knew we'd need to break up the museums and tours with other activities. Callie wanted to shop for clothes. Zeke had packed his skateboard: He knew from YouTube that there was an active skateboarding scene in Spain. I tried to plan ways we could split up so no one would be bored while the others were doing what they wanted to do.

But we didn't expect that our son's passion for skateboarding would give us all a piece of Barcelona that we might have missed. The plaza in front of the Museu d'Art Contemporani de Barcelona, is popular with skateboarders. Perfect, I thought: Zeke would skate, someone would keep an eye on him, and we'd take turns visiting the museum. We didn't realize that, of course, the reason skateboarders are allowed to jump the steps at MACBA on Tuesdays is that the museum is closed that day. We grabbed a table at a nearby cafe, started with coffee, eventually ordered lunch and later some vino tinto, or red wine. As Zeke skated, Callie and I explored another nearby museum and shops, and my husband photographed the growing crowd of skateboarders. Four hours of a Barcelona afternoon spent doing very little except enjoying the scene.

Some things are nonnegotiable. But let the kids negotiate. We had told the kids that there were some things they must do with us. We paid for a tour of the Alhambra in Granada, and we were going to see every inch of the place even if it was 100 degrees in the shade. I wouldn't budge on that one.

When we could, we let the kids check out a museum themselves and decide what they wanted to see -- even if that meant the gift shop. There were a few exhibits we thought were must-sees, and my husband and I would track down the kids to make sure they saw them, but most of the time they were on their own. Even if they were browsing in the bookstore, they were looking at art.

Let the kids sleep late. And the husband. It took me a few days to relax on the "we have to beat the crowds" rule. But once I did, everyone was happier. So, except for the days we had to get up early to make a flight or a tour, I decided not to rouse everyone to get up and see the sites. The saving grace: Not a lot happens in Spain before 9 a.m. Yes, we had to wait in line at several sites because we weren't there when the doors opened, but for the most part, it wasn't an issue. And, once we were ensconced in our Barcelona apartment rental, I would still get up early, and take a walk around our new neighborhood. I would explore the quiet streets, find a place to buy fresh bread, and return to the apartment for some quiet time before everyone else was up.

Bedtime, schmedtime. On a one-night stopover in Ronda, a small town in the hills outside Málaga, everyone was overtired and a bit cranky. It was time for bed. We said good night, but 10 minutes later, there was a knock on our door. The kids wanted us to join them on the roof patio, one flight up from our room. It was a beautiful night, there was a cool breeze, and we could see for miles over the hills. We would have missed it if I had insisted that everyone needed a good night's sleep.

Food is an adventure, but sometimes it's OK to eat something familiar. I was quite surprised that the kids were willing to try so many new foods, especially Callie, whose diet usually consists of bread and pasta and rice. Tomatoes tasted better in Spain, and new varieties of olives and melon became favorites. Zeke discovered new ways to eat eggs, and you could order jamón and it would never be the same thing twice.

But after several days of adventure, they wanted the familiar. When we arrived in Barcelona, one of the first things we did was go to a little grocery to stock our rental apartment. Zeke came out of the cereal aisle holding a box of Cocoa Flakes -- comfort food for a 12-year-old. For Callie, it was cookies and yogurt. Breakfast was a little more like at home. Lunch and dinner were still about trying new things, or new favorite things. And we said no to the Chinese takeout near the apartment.

You can never plan memories. One of the silliest moments we carry with us, six months later, is my son doing an imitation of my husband asking for la cuenta, the bill, in restaurants throughout Spain. It's not funny to anyone but us. But we still ask him to do it. And when he does, I remember why we take family vacations.

travel@latimes.com

http://www.latimes.com/travel/la-trw-kidtravel7-2010feb07,0,2159213.story

In France, castle Guédelon being built to medieval standards

The castle is under construction using only 13th century materials and techniques. The exacting standard makes it a 25-year project.



By Susan Spano Special to the Los Angeles Times

July 9, 2010
12:48 p.m.

The Great Hall of Guedelon Castle, near St.-Fargeau, is about 100 miles southeast of Paris. Even half-finished, the castle annually draws about 300,000 visitors who wander the site and learn techniques of medieval builders. (Susan Spano / For The Times)

REPORTING FROM ST.-FARGEAU, FRANCE —

When my niece, Sarah, was little, she returned from a long trip to Europe with her parents and announced she never wanted to set foot in another museum. Children who travel abroad are lucky, but on another level you have to pity the poor kids dragged through ancient ruins, art galleries, cathedrals and castles, until they're ready to drop, when all they really want is a Game Boy and a hot dog.

But in the Burgundy region of France, there's a castle that fascinates children — and it isn't another Euro Disney. It's Guédelon, about 100 miles southeast of Paris, where history is in the remaking at a medieval stronghold being built with only 13th century materials and techniques. The idea comes right out of one of those marvelously illustrated children's books by David Macaulay — "Cathedral," "Castle," "City," "Pyramid" — that explains how great historic monuments took shape. Only Guédelon is real.

The project was the brainchild of architectural historian and conservationist Michel Guyot, owner of a 17th century château, also open to visitors, in the nearby village of St.-Fargeau. While restoring the complex, Guyot discovered remnants of a medieval stronghold. Et voilà: the seed from which Guédelon was born.

The idea was considered crazy at first, but Guyot and co-owner Maryline Martin persevered, raising money, getting permits, buying a site and finally breaking ground in 1997. With the castle half-finished and attracting 300,000 visitors a year, it no longer seems like a harebrained scheme. Now it answers the question visitors inevitably ask at marvels such as Nôtre Dame de Paris and Chartres: How did medieval workmen do this without cranes, bulldozers, power saws and drills? Not quickly, to begin with. Guédelon, conceived as the modest stronghold of a low-ranking feudal baron, won't be completed until 2023, if all goes well. That would make it 26 years from start to finish, about 10 years longer than it would have taken to build in the early 13th century. The relatively slow pace of contemporary construction is due to the size of the team — about 50 workers — and the winter hiatus.

This season it's hoped that the cross-ribbed vault of the lord's chamber and the roof of the great hall will be completed, requiring the fabrication of 50,000 clay tiles fired in an on-site kiln. Most of the materials used at Guédelon come from the property, chosen because it has such assets as a natural water source, sandstone quarry and oak forest.

Tours begin in a clearing where models illustrate the evolution of castles, from the fortification of farmhouses around the 9th century to the Guédelon-style strongholds with moats, towers, curtain walls and courtyards. They helped secure territories added by conquest to the Kingdom of France.

The castle is set in a hollowed-out dish of earth adjacent to the quarry where stone is excavated and dressed by masons. A fixed bridge leads across a dry moat to a two-story dwelling with a kitchen, storeroom, great hall and lord's chamber. In the woods nearby an entire medieval village has taken shape, complete with a blacksmith, rope and basket-making shop, tile factory and stables for horses used to haul materials.

Visitors are allowed to walk through the construction site. Along the way artisans stop and explain how they quarry and cut stone, build and level walls, raise roof beams, make vaulted ceilings and lift heavy weights using hand winches, pulley and treadmill-driven cranes known as squirrel cages. Kids can also take hands-on workshops to learn the stone-carving and geometric techniques of 13th century builders.

Construction at Guédelon is based on studies of medieval stained glass, illuminated manuscripts, financial records and castles such as nearby Ratilly, dating from the same period. An advisory committee made up of archaeologists and art historians routinely inspects the site to assess authenticity and learn from the work in progress.

There have been some concessions to the 21st century. Workers sometimes wear safety glasses, hard hats and steel-tipped boots. The parking lot is big enough to accommodate school buses. There are modern toilets, a restaurant and a shop. But on the threshold of the castle nothing else jars. Its fixed bridge leads directly to the Middle Ages.

travel@latimes.com

http://www.latimes.com/travel/destinations/europe/la-tr-guedelon-20100704,0,621013.story

Angelina Jolie's pours some 'Salt'

Preview review: Angelina Jolie's pours some 'Salt'


24 Frames


MOVIES: PAST, PRESENT AND FUTURE

April 2, 2010
3:16 pm

After last appearing on the big screen in the more dramatic "Changeling," Angelina Jolie will return to a gun-packing role in this July's "Salt."

In a newly-released trailer for the action-adventure, we see Jolie playing Evelyn Salt, a CIA officer charged with being a Russian sleeper spy. To prove her allegiance to the U.S. of A., Salt jets off on a mission during which she dyes her hair black and scoots around the globe (well, New York) evading capture.

The trailer certainly does a good job of setting up the confusing question "Who is Salt?" Frankly, we're pretty lost ourselves. Is she good or bad? And what's at stake? From what we can tell from the trailer, there's a young son involved in the plot and a missing husband whose discovery might help clear things up.

Jolie is reprising the kind of role she's arguably best known for -- the tough chick with a beautiful-but-ruthless persona embodied in "Wanted" and "Lara Croft: Tomb Raider." She seems to handle the role capably, though at times she's a bit too serious for our taste. We know there's heavy stuff at hand, but could she smile once or twice? Also, her black wig looks so fake that it's actually distracting.

As far as the action goes, it looks like director Phillip Noyce has packed the film with both heart-stopping chase scenes and racy sex scenes -- it's no surprise that the trailer teases a scantily clad and, well, salty moment. But what's more appealing about the trailer is the mind-bending plot line, which could offer some complexity to go with the chases and the fights.

Photo: Angelina Jolie stars in "Salt." Credit: Sony Pictures

http://latimesblogs.latimes.com/movies/2010/04/preview-review-angelina-jolie-in-salt.html

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Bill Murray Is Ready To See You Now

He is one of the greatest comic actors alive. A man who's navigated his career with a peerless instinct for quality and self-respect. The man behind movies—from Caddyshack to Stripes, from Rushmore to Lost in Translation—that seem to have defined a dozen different moments in our cultural life. But he is also a man beholden to no one, not the studios, not the audience, not even an agent. And as he sits down with Dan Fierman to discuss everything from the lameness of Ron Howard to the genius of Kung Fu Hustle, you can be pretty sure he's going to tell you exactly what he thinks


Interview by Dan Fierman

Illustration by Daniel Clowes

August 2010

When I arrived, he was standing alone in the corner of a New York hotel room, talking on a cell phone and wearing a ratty black polo, jeans, and yellow "tape measure" suspenders. I had been waiting for over an hour, which didn't seem like an unreasonable amount of time. Bill Murray famously does not give interviews—he's sat down for exactly four prolonged media encounters in the past ten years—and when he does, it's never clear what you're going to get. You just have to pray he's in a good mood.

The very thing that makes Bill Murray, well, Bill Murray is what makes sitting down with him such an unpredictable enterprise. Bill Murray crashes parties, ditches promotional appearances, clashes with his friends, his collaborators, and his enemies. If you—movie director, journalist, dentist—want to speak to him, you don't go through any gatekeeper. You leave a message on an 800 number. If Bill Murray wants to speak with you, he'll call you back. If his three and a half decades in the public sphere have taught us anything about the 59-year-old actor, it's that he simply does not give a good goddamn.

His career is known to most any fan of modern comedy: the years on SNL; the series of epochal comedies like Stripes, Groundhog Day, and Caddyshack. And his current artistic period, which could be described as Reclusive National Treasure. He lives in Rockland County, New York, emerging only to make movies for directors he's interested in: Wes Anderson, Jim Jarmusch, Sofia Coppola. This summer he'll release a period indie called Get Low, in which he plays an undertaker throwing an early funeral for Robert Duvall. Today, Murray was in an expansive mood. Then, after he spoke about Ghostbusters 3, Barack Obama, and Garfield, he decided the interview was over and was gone. As best as I can tell, he was not fucking with me. But who knows? Bill Murray doesn't need you to be in on his joke. His life is all one performance-art piece—and he does everything for an audience of one.

Bill Murray: How long do these things last? [picks up recorder] How much time is on these things?

GQ: A lot. They're digital.

Digital? I was thinking of recording myself sleeping. Would this work?

Well, assuming you don't make more than an hour and a half of noise each night, you'll be okay.

I dunno. That's why I need the recorder. Sometimes I snore, like when I get really tired. Smoke a cigar or something, you know. I have a brother with sleep apnea. That's terrifying. Jesus. But anyhow…you have questions.

I do. Here's my first one: Why the 800 number?

Well, it's what I finally went to. I have this phone number that they call and talk. And then I listen.

And you just weed 'em out?

I just sort of decide. I might listen and say, "Okay, why don't you put it on a piece of paper? Put it on a piece of paper, and if it's interesting, I'll call you back, and if it's not, I won't." It's exhausting otherwise. I don't want to have a relationship with someone if I'm not going to work with them. If you're talking about business, let's talk about business, but I don't want to hang out and bullshit.

But that's so much of how Hollywood does business.

Yeah, well, that always kind of creeped me out. And I don't like to work. I only like working when I'm working.

Well, I remember, you took a big break. It was in the late '80s, right?

It was in the middle of the '80s. Actually, I've taken a couple of breaks. I've retired a couple of times. It's great, because you can just say, "Oh, I'm sorry. I'm retired." [laughs] And people will actually believe that you've retired. There are nutters out there that will go, "Oh, okay!" and then leave you alone.

I'm always interested in how you pick your projects, because that's one damned random filmography. For Get Low, I dimly suspect that it came down to the line "One thing about Chicago, people know how to die."

[laughs] Well, that was appealing. No, [producer] Dean Zanuck and I had the nicest phone conversation, and I thought, Hmm… And then I saw the making-of DVD of his last movie. This really should be kept secret, but you can learn a lot by watching the making-of DVDs. Every actor should do it. You figure out what you're dealing with. And I thought, You know, this guy is all right. And it turned out beautifully. Where the hell did we take it? That's right. Poland. There's kind of a famous cinematography festival, in a place called Lodz, and God, they went nuts for it. These cinematographers were all, [deadpan Eastern European accent] "Oh yeah, dis good."

Like comedians, nodding at a joke.

Exactly! Oh yeah. [nods, stone-faced] "That's funny." They were just like that.

You have a lot of lines in this one that get tons of laughs I doubt were on the page. It's all in the rhythm, the delivery. How do you pitch something like that? How do you make something out of nothing?

I have developed a kind of different style over the years. I hate trying to re-create a tone or a pitch. Saying, "I want to make it sound like I made it sound the last time"? That's insane, because the last time doesn't exist. It's only this time. And everything is going to be different this time. There's only now. And I don't think a director, as often as not, knows what is going to play funny anyway. As often as not, the right one is the one that they're surprised by, so I don't think that they have the right tone in their head. And I think that good actors always—or if you're being good, anyway—you're making it better than the script. That's your fucking job. It's like, Okay, the script says this? Well, watch this. Let's just roar a little bit. Let's see how high we can go.

But you asked how you get the comic pitch. Well, obviously a lot of it is rhythm. And as often as not, it's the surprising rhythm. In life and in movies, you can usually guess what someone is going to say—you can actually hear it—before they say it. But if you undercut that just a little, it can make you fall off your chair. It's small and simple like that. You're always trying to get your distractions out of the way and be as calm as you can be [breathes in and out slowly], and emotion will just drive the machine. It will go through the machine without being interrupted, and it comes out in a rhythm that's naturally funny. And that funny rhythm is either humorous or touching. It can be either one. But it's always a surprise. I really don't know what's going to come out of my mouth.

Are you ever going to direct again? Quick Change is really one of the great lost movies about New York.

It's great. It's a great piece of writing. And how about the cast? You couldn't get that cast together for all the tea in China right now. I mean, Stanley Tucci, Tony Shalhoub…

Oh shit. The bluftoné. I forgot about the bluftoné.

Bluftoné! [laughs] Shalhoub gives one of the greatest comic performances I've ever seen! Though I do like Michael Caine and Maggie Smith in California Suite. Unfortunately, the last time I watched it was right after Kung Fu Hustle, which is the supreme achievement of the modern age in terms of comedy.

Kung Fu Hustle?

It's not even close. Quick Change after it looked like a home movie. It looked like a fucking high school film. I was like, "Oh man, I just saw this thing," and "God, that's just staggering, just staggering. That movie is just AHHHHHH!" And when I saw that, I was like: That. Just. Happened. There should have been a day of mourning for American comedy the day that movie came out.

You know, my younger brother will absolutely murder me if I don't ask you this question.…

All right. I should worry.

Is the third Ghostbusters movie happening? What's the story with that?

It's all a bunch of crock. It's a crock. There was a story—and I gotta be careful here, I don't want to hurt someone's feelings. When I hurt someone's feelings, I really want to hurt them. [laughs] Harold Ramis said, Oh, I've got these guys, they write on The Office, and they're really funny. They're going to write the next Ghostbusters. And they had just written this movie that he had directed.

Year One.

Year One. Well, I never went to see Year One, but people who did, including other Ghostbusters, said it was one of the worst things they had ever seen in their lives. So that dream just vaporized. That was gone. But it's the studio that really wants this thing. It's a franchise. It's a franchise, and they made a whole lot of money on Ghostbusters.

Oh, sure, I remember. The soundtrack. The lunchboxes. The action figures.

Right. And it's still one of the biggest movies of all time. And ever since that story broke, everywhere I go people are like, "So are you gonna make that movie?" I was down in Austin at South by Southwest, and you go at it hard down there—fun but, man, you need to sleep for days afterwards. Anyhow, I got into it one night with a bunch of younger people who were like, Oh, I love Peter Venkman! I grew up with Peter Venkman! We got to talking, and the more we talked about it, the more I thought, Oh Christ, I should just do this thing.

A generation awaits, for sure. You weren't even supposed to play that role, right?

Yeah. Originally it was Belushi. Like a lot of my movies. [beat] God, John died, what was it, twenty-five years ago?

It was '82, right?

Yeah, I think it was '82. I dunno. That part of life is getting fuzzy.

I read that you wanted to play a ghost in the movie. That's kind of brilliant.

Well, I hadn't wanted to do the movie. They kept asking, and I kept saying no. So once upon a time I said, just joking: "If you kill me off in the first reel, then fine, I'll do it." And then supposedly they came up with an idea where they kill me off and I was a ghost in the movie. Kinda clever, really.

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England: Arts and Crafts in the Cotswolds

The Cotswolds were a center of the English Arts and Crafts movement. That sensibility remains, and visiting local artisans is a great way for a traveler to a personal feel for the region.

Kelmscott Manor in Lechlade was home to William Morris, founder of the English Arts and Crafts movement. For a time, the poet and painter Dante Gabriel Rossetti shared the house with the Morris family. Each room is like a mini-museum. (B. Kevitz, B. Kevitz / July 23, 2010)

By Paul de Barros Special to the Los Angeles Times

July 25, 2010

Reporting from Cheltenham, England —

I was recently invited to review a superb jazz festival in Cheltenham, about two hours west of London, in the Cotswolds."You're going to the Cotswolds?" my friends gushed.

"Yes," I said. " Hugh Masekela will be there. And Jack DeJohnette. Nigel Kennedy. Madeleine Peyroux. Nice lineup."

"Yes, but the Cotswolds!" they said, without the slightest interest in the jazz festival. "Be sure to go to Chipping Campden. And the Slaughters. Bourton-on-the-Water. Stow-on-the-Wold."

Chipping who? Stow-on-the-what?

OK, I admit it. I've never been a fan of "Merry Olde England," preferring what's happening now to canned antiques from the past. But after the Cheltenham Jazz Festival, I found something that was both contemporary — and antique — that will surely lure me back to the Cotswolds: a living tradition of arts and crafts.

William Morris, one of my heroes from my '60s college days and the founder of the English Arts and Crafts movement, set up shop in the Cotswolds in 1871. Morris, a poet, designer and visionary socialist, believed that the Industrial Revolution, while making goods available, had cheapened daily life. Utilitarian things such as bedspreads, curtains, cups and saucers, he argued, should also be beautiful. And handmade.

It was a utopian vision, of course, and one that could have come only from an upper-class bloke with time on his hands. But the idea has endured. Whenever you see a stoneware mug, a hand-knit cap or a tulip-and-tendril-embroidered curtain, you're looking at Morris' legacy. Today, thanks to him, a thriving community of high-quality potters, silversmiths, cabinetmakers, weavers, furniture designers, cheese crafters and other cottage manufacturers flourishes in the Cotswolds. Dropping in on these artists as part of a tour of the more well-known sights is a great way to get a personal feel for the region and find some lovely gifts, as well.

There are dozens of Arts and Crafts destinations, but a good place to start is the homey, rambling collection at the Cheltenham Art Gallery & Museum (Clarence Street, Cheltenham; 1242-237-431, http://www.cheltenham.artgallery.museum). Here you can familiarize yourself with the major players of the A&C movement and feast your eyes on an 1856 round pine table made by Morris himself; a luminous green fish plate by potter Michael Cardew; and a dazzling inlaid piano designed by C.R. Ashbee.

Cheltenham is a good home base for touring the Cotswolds. It's a sweet little city, with smart shops and rows of stately Regency architecture that went up in the early 19th century to house a leisure class that spent the social season here. Today, Cheltenham focuses on leisure of a cultural stripe, hosting four world-class festivals: literature (Oct. 8-17), jazz (April 27-May 2), science and (classical) music (2011 dates to be announced) (0844-576-8970, if calling from the U.S., drop the first 0, http://www.cheltenhamfestivals.com).

From Cheltenham, it's about 26 miles southwest to Lechlade, where Morris discovered Kelmscott on the upper reaches of the River Thames (1367-252-486, http://www.kelmscottmanor.org.uk). This three-story, 17th century stone manor house, with its steeply pitched peaks and banks of tall, leaded glass windows, is a glorious retreat. Surrounded by lush lawns, a craggy, twisted ash, flowering fruit trees and gardens festooned with pansies and bluebells, the house shares its serene grounds with an old stone barn and several outbuildings that now offer an excellent gift shop and restaurant.

Morris lived at Kelmscott with his wife, Jane, his two daughters, Jenny and May, and his business partner, the great poet and pre-Raphaelite painter Dante Gabriel Rossetti. These were Bohemian days. When Morris discovered his wife and Rossetti were having an affair, Morris went to Iceland to let it blow over. The affair ended, but Morris and Rossetti nevertheless fell out and the painter later attempted suicide.

Each room at Kelmscott is like a miniature museum, stuffed with handmade decorated art and craftwork. Highlights include Turkish-blue fireplace tiles by Edward Burne-Jones; an 1896 facsimile of the illuminated edition of Chaucer's " Canterbury Tales"; Sussex chairs, made of ebonized wood and cane; Morris' bed, with its canopy and tendril embroidery by Jane and May; and Rossetti's famous painting of the raven-haired, ruby-lipped Jane, sitting at her desk in a luminous blue silk dress.

Morris continued to visit Kelmscott until his death in 1896, but other artists soon discovered the Cotswolds' rural charms. In 1926, renowned English potter Michael Cardew started Winchcombe Pottery, where he threw pots in the tradition of 17th century English slipware (Broadway Road, Winchcombe; 1242-602-462, http://www.winchcombepottery.co.uk). Ray Finch took over Winchcombe in 1939. When I arrived one sunny spring morning, Ray and his son Mike, who now runs the show, were sitting outdoors with two other potters, deeply ensconced in tea and crossword puzzles. After savoring a few last sips, Mike joined me at the rear of the property.

"This was the original kiln," he explained, pointing to a pile of rubble. Behind us stood an exotic, 20-foot tall red brick "bottle kiln," so named for its shape, with vines creeping over it. "Cardew built this one," he said. "They used coal in those days. Now we use wood and oil. But look, there's a book about all this. When you're done looking 'round, pop up to the shop and I'll see if I can't find one for you."

Wishing I had more luggage space, I chose a small, narrow-necked blue bottle from the dazzling display table and bought Ron Wheeler's handsome book "Winchcombe Pottery: The Cardew-Finch Tradition" for my wife, who is a potter. (It turned out to be a real find. When I got home, I discovered the book was out of print.)

It was getting time for lunch, so I headed for the Daylesford Organic Farmshop, near Kingham, the Cotswolds' answer to Napa Valley ([1608] 731-700, http://www.daylesfordorganic.com). Lady Carole Bamford, wife of industrial magnate Anthony Bamford, founded this sunny complex, with sparkling white trim, which features a high-end delicatessen and food store, creamery, bakery, a small café, garden shop, organic garden, cheese factory, wine and chocolate shops and even a clothing store. Patronized by such illustrious locals as Prince Charles and Camilla and Kate Winslet, it is decidedly upmarket and worth every penny. Among its delicacies are haddock and leek pie, herb vinegars, powder blue duck eggs, fresh asparagus, homemade ketchup and Daylesford elderflower ice cream made with Jersey cream.

The real finds are the boutique cheeses, including Daylesford's own organic Cheddar (delicious) and Little Wallop, a goat's cheese washed in cider brandy (tangy) made by Cotswolds resident Alex James of the British supergroup Blur. Noshing outside at a picnic table on local cheese, organic apples, char-grilled artichokes and slices of ham was just the ticket. If you want a sit-down lunch at the café, be sure to call ahead.

Cotswold wool merchants sold their fleeces in Chipping Campden, northeast of Cheltenham. Centuries later, in 1902, Arts and Crafts designer Ashbee, following Morris, moved his East London Guild of Handicraft to this medieval market town. The careers and artifacts of Ashbee and other A&C luminaries are documented with a fine visual flourish at Chipping Campden's excellent 3-year-old Court Barn Museum (Church Street, Chipping Campden; 1386-841-951, http://www.courtbarn.org.uk). Here you can see work by bookbinder Katharine Adams, engraver F.L. Griggs, illustrator and glass artist Paul Woodroffe, industrial designer Robert Welch, potters Finch and Cardew, and furniture designer Gordon Russell.

Ashbee set up his workshop in an old silk mill on Chipping Campden's Sheep Street. Although the guild went belly up after only five years, one of its silversmiths, George Hart, hung on. More than 100 years later, Hart's grandson David and David's son William and nephew Julian can still be found working at Hart Gold & Silversmiths in the Old Silk Mill (Sheep Street, Chipping Campden; 1386-841-100, http://www.hartsilversmiths.co.uk). In its cluttered office hangs a large, framed black-and-white photo of George Hart taken by Frank Lloyd Wright, who visited in 1912, and one of Hart's ornate repoussé (beaten copper) works depicting vines, birds and a vase.

A Bunsen burner glowed and antique tools hung on the wall, and I found it easy to imagine the Old Silk Mill more than 100 years ago. That sense of continuity and tradition is palpable on the Cotswolds Arts and Crafts trail. Maybe, I thought, there really was something to this Merry Olde England business.

travel@latimes.com

http://www.latimes.com/travel/la-tr-0725-cotswolds-20100725,0,3738829.story

Brazil's sex tourism boom

Chris Rogers encounters many young girls on the streets of Brazil


Young children are supplying an increasing demand from foreign tourists who travel to Brazil for sex holidays, according to a BBC investigation. Chris Rogers reports on how the country is overtaking Thailand as a destination for sex tourism and on attempts to curb the problem.

Her small bikini exposes her tiny frame. She looks no older than 13 - one of dozens of girls parading the street looking for clients in the blazing mid-afternoon sun. Most come from the surrounding favelas - or slums.

As I park my car, the young girl dances provocatively to catch my attention.

"Hello my name is Clemie - you want a programme?" she asks, programme being the code word they use for an hour of sex. Clemie asks for less than $5 (£3) for her services. An older woman standing nearby steps in and introduces herself as Clemie's mother.

"You have the choice of another two girls, they are the same age as my daughter, the same price," she explains. "I can take you to a local motel where a room can be rented by the hour."

I make my excuses and head towards the bars and brothels of the nearby red-light district.

Despite assurances of a police crackdown, there appears to be little evidence of child prostitution disappearing from the streets of Recife. In four years' time, the country will be hosting the World Cup, which will fuel its booming economy.

Brazil has defied the global economic downturn thanks, in part, to its exotic, endless beaches attracting record numbers of tourists.

The country's erotic reputation has long been attracting an unwanted type of tourist. Every week specialist holiday operators bring in thousands of European singles on charted flights looking for cheap sex. Now Brazil is overtaking Thailand as the world's most popular sex-tourist destination.

Underage

As night falls, the sex tourist's playground in Recife, in the state of Pernambuco, comes alive. Prostitutes mingle with tourists, dancing at their sides and eyeing up potential business. The legal age for prostitution is 18, but many look much younger.

Two young transvestites say they need to work to get money for food


Taxi drivers work with the girls who are too young to get into the bars. One offers me two for the price of one and a lift to a local motel.

"They are underage, so much cheaper than the older ones," he explains as he introduces me to Sara and Maria.

Neither has made any attempt to disguise their age. One clings to a bright pink Barbie bag, and they hold each other's hands looking terrified at the possibility of potential custom.

Recife's red-light area is now crammed with cars slowly crawling past groups of girls parading their bodies.

One of them, Pia, is dressed in a cropped pink top and mini skirt. The 13-year-old agrees to speak to me about her life as a child prostitute. She explains that she works from the same street corner every night until dawn to fund her and her mother's crack cocaine habit.

"I usually have more than 10 clients per night," she boasts. "They pay 10 reais (£3.50, $5.50)) each - enough for a rock of crack."

For safety, Pia works with a group of older girls who act as pimps, taking care of the money and watching over the younger ones.

"There's lots of girls working around here. I'm not the youngest, my sister is 12, and there's an 11-year-old." But Pia is worried about her sister: "Bianca hasn't been seen for two days since she left with a foreign guy," she says.

Pia first started working as a prostitute at the age of seven, and Unicef estimates there are 250,000 child prostitutes like her in Brazil.

"I've been doing it for so long now, I don't even think about the dangers," Pia tells me. "Foreign guys just show up here. I've been with lots of them. They just show up like you."

Crackdown

Just a couple of streets away the pavement is lined with transvestites touting for clients. Among them 14-year-old Ronison and 12-year-old Ivan.

The cousins look convincing in their stilettos, mini skirts and blouses, and heavy make up.

"We need to earn money to buy rice and staple foods for our families," Ronison explains as he flicks back his long bobbed hair. "Our parents don't worry about us too much. We tell them when we are leaving and when we're coming back. And then we give the money to them to buy food. They know how we get the money, we just don't discuss it"

The city of Fortaleza has been carrying out relentless clean-up operations

Most sex tourists used to head to the city of Fortaleza some 500 miles away.

But not anymore. For the past year, the state capital of Ceara - which also a World Cup host city - has been sending a clear message to sex tourists that they are not welcome. Every week a dozen armed cars and federal police armed with AK-47s sweep through the streets of the red-light district, breaking down the doors of motels and brothels, arresting offenders and taking underage girls into care.

Eline Marques, the city's secretary of state for child protection, claims her relentless raids are having an effect.

"We have shut down many establishments in Fortaleza. Entire streets are now cleared of prostitution. My aim is to intensify these raids in time for the World Cup, targeting the very tourism that encourages child prostitution," she says.

Other states have indicated that they are monitoring Ms Marques' campaign and, if deemed successful, could follow suit.

'Terrified'

But for every sex establishment that is shut down, every sex tourist arrested, there are victims.

Many are taken to charity run homes. The Centro de Recuperacao Rosa De Saron near Recifi is full to capacity because many of the girls can't be returned home to the poverty that drove them into prostitution. They are sent there from all over Brazil.

Love Motels can be hired by the hour

Twelve-year-old Maria wants to live with her mother but she can't because her pimp, who forced her to work on the streets and in brothels, threatened to kill her if she tried to escape. She told me that she is still terrified for her life.

"I had no choice but to do what he said. I felt I was losing my childhood, I was only nine years old," she says. "I was scared. Sometimes if I came back without money for him he'd hit me."

Jane Sueli Silva, who founded the centre, says most of the girls are between 12 and 14 when they arrive.

"Many of them arrive here with serious problems like cervical cancer," she says. "As the cancer is normally at only early stage, we can help them and thank God the cure is normally always successful."

Some girls also turn up pregnant, their child fathered by a sex tourist.

Hopes

The British charity Happy Child International plans to build more centres to house a growing number of child prostitutes.

"The crisis for these children turning to prostitution has increased significantly in the north-east of Brazil over the last few years, fuelled by increasing numbers of foreign tourists who travel to Brazil for sex holidays," says Sarah de Carvalho of Happy Child International.

"It is so important to take the children away from the lure of the streets and break the cycle and give them a safe place to live and receive help."

But charities and police crackdowns have yet to reach children like Pia, the 13-year-old prostitute whom I met on the streets of Recife.

Her home is a small shack she shares with her mother, two brothers and 12-year-old sister, who had still failed to return home. It was nothing more than a crumbling shed with two sofas acting as a bed and a plastic bucket to wash clothes and plates.

When I asked Casa if her daughters' work in prostitution breaks her heart, she appeared more concerned that they fail to bring home money. "If they make money they don't bring it home. No - they don't bring any money home," she said.

Pia told me that one day she hopes to break out of prostitution. She said she had heard of charities that provide a home for girls like her.

"Every day I ask God to take me out of this life. Sometimes I do stop, but then I go back to the streets looking for men. The drug is bad, the drug is my weakness and the clients are always there willing to pay."

Our World: Brazil's Child Prostitutes is broadcast on BBC World and the BBC News Channel on 31 July and 1 August at various times

http://www.bbc.co.uk/news/world-10764371

Chelsea Clinton wedding a lavish — and very private — affair

Security and serenity reign as she marries Marc Mezvinsky at an elegant New York estate.

By Nathaniel Popper, Los Angeles Times


August 1, 2010

Reporting from Rhinebeck, N.Y. —

On a breezy summer night, behind the stone walls of a 106-year-old estate, hundreds of celebrities, dignitaries, family and friends gathered Saturday to witness Chelsea Clinton make Marc Mezvinsky the newest member of the Clinton political clan.



Clinton and Mezvinsky wed just before sunset on the secluded Astor Courts estate after frenzied days of anticipation among a nation of wedding-watchers. On Saturday, townspeople and media hordes converged on sidewalks of this community north of New York City hoping for a glimpse of the festivities.

The bride's father, former President Bill Clinton, whizzed up to the sprawling grounds half an hour before the wedding in a four-vehicle motorcade, arriving soon after his wife, Secretary of State Hillary Rodham Clinton.

The interfaith ceremony was officiated jointly by Rabbi James Ponet, a Jewish chaplain at Yale, and the Rev. William Shillady, a Methodist minister from New York City. Chelsea Clinton, 30, wore a Vera Wang dress, and the couple exchanged vows under a gazebo of white flowers.

Afterward, the parents of the bride released a statement saying, "We watched with great pride and overwhelming emotion as Chelsea and Marc wed in a beautiful ceremony at Astor Courts, surrounded by family and their close friends. We could not have asked for a more perfect day to celebrate the beginning of their life together, and we are so happy to welcome Marc into our family."

Mezvinsky, 32, is a former Goldman Sachs investment banker who now works at a hedge fund. He is the son of Marjorie Margolies-Mezvinsky, a former Democratic U.S. representative from Pennsylvania, and former U.S. Rep. Ed Mezvinsky, a Democrat from Iowa. The bride and groom met while growing up in Washington, D.C., and both attended Stanford.

Although there's been much buzz about the wedding — guessing the costs, imagining Chelsea Clinton's dress, trying to identify invited celebrities — the event remained shrouded in secrecy. All involved, including guests and caterers, were asked to keep the details private.

In the end, the wedding seemed notable for how low-key the guests and family managed to keep it, and for the big names who did not attend, including former Vice President Al Gore and Oprah Winfrey.
Guests in tuxedos and formal gowns were picked up by chartered green buses from a few nondescript Marriot and Hampton Inn hotels in neighboring towns.

On Saturday morning, police SUVs guarded the unmarked entrance to the Astor Courts, backed up by "No Trespassing" signs. A no-fly zone was in effect over the area throughout the night. Across the street, neighbors put up a modest handwritten sign that said, "Mazel Tov Chelsea," a nod to Mezvinsky's Jewish heritage.

At the Chamonix Bridal Shop in town, owners Heather Graham and Allison Sims dressed a window mannequin in a wedding gown and hung a banner reading "A toast to Chelsea and Marc." Sims' 3-month-old daughter had a bow in her hair for the occasion, and Graham's son wore a tuxedo. Graham said that some wedding guests had stopped by to pick up last-minute hairpieces and jewelry. "It's like a carnival," Graham said. "Everyone is just so positive and upbeat."

Former Secretary of State Madeleine Albright and political power player Terry McAuliffe lunched Saturday at Gigi Trattoria, where Bill Clinton ate on Friday before strolling around town. Vera Wang, the designer and a friend of the Clintons, tried to eat at Gigi but was driven away by a media horde hungry for celebrity sightings.

Friday night, Bill and Hillary Clinton attended a wedding party at the Beekman Arms, where news anchor Diane Sawyer and businessman and film producer Steve Bing were among the guests.Later on Saturday, Ted Danson and his wife, Mary Steenburgen, checked in at the historic inn before heading to the wedding.
"She's a beautiful girl and he's a wonderful guy," Steenburgen said of the bride and groom.

Face Stockholm, a makeup store in Rhinebeck, quietly groomed several wedding guests in back. Megan Martino, a manager at the store, said the guests had not wanted anything fancy."They all wanted a very simple, natural country look," Martino said.

A number of guests were staying in town at the Looking Glass Bed & Breakfast. The owner, Cari Metzer, said that over breakfast people going to the wedding were all talking about the lack of fancy frills in the weekend's plans."There are no horse-drawn carriages or anything like that," Metzer said. "Chelsea just wanted to have a nice, normal wedding."

nathaniel.popper@latimes.com

In the Works: Immunotherapy for food allergies

A few physicians are already practicing it, though many allergists object because it's untested. Clinical trials are underway.

By Amber Dance, Special to the Los Angeles Times


August 2, 2010

Caroline Cooper will pack her bags and head off for college this fall secure in the knowledge that she'll be able to safely eat anything the cafeteria dishes up. Her mother, Heather Cooper, meanwhile, will not have to worry that Caroline, 17, will go into anaphylactic shock while alone in the dorm.

This is notable because from the time she was 11 months old until this past spring, Caroline Cooper was severely allergic to milk — a bit of cheese or yogurt could have killed her. But early last year, the teenager began a type of immunotherapy, eating minute but gradually increasing amounts of milk protein. In March she tasted her first bite of ice cream, the same day she was accepted in the honors business program at the University of Texas at Austin.

Traditional immunotherapy, via allergy shots, is a century-old technique most commonly used to treat inhaled allergens — such as cat dander and pollen — and it's also standard treatment for bee sting allergy. Using immunotherapy to treat food allergies is rare and well outside mainstream practice. Cooper's allergist, Dr. Richard L. Wasserman in Dallas, has treated fewer than 100 food allergy patients — and he knows of only two other physicians doing it in their practices.

At the same time, nearly 4% of children in the U.S. had food allergies in 2007, and that number is rising, according to a 2009 article in the journal Pediatrics. These kids and their parents would love to stop scrutinizing food labels and bringing their own meals to potluck suppers.

But many allergists say immunotherapy for food allergies outside of a research setting is irresponsible. About 20 such trials are now underway, according to the National Institutes of Health database at Clinicaltrials.gov, and that's where such treatment should currently stay, these allergists say.

They point out that food-allergy immunotherapy is untested at best, potentially fatal at worst. And several top scientists researching food immunotherapy published an article in the July issue of the Journal of Allergy and Clinical Immunology that decried the treatment's use in patients outside carefully controlled clinical trials.

"This is nowhere near ready for prime time, nowhere near ready to go out to the local allergists," says Dr. Robert Wood, one of the commentary's authors and chief of pediatric allergy and immunology at Johns Hopkins University in Baltimore. He worries that a food-sensitive patient will die from immunotherapy not performed with sufficient care.

Basic allergy treatment

Forty million to 50 million Americans suffer from some sort of allergy, according to a recent report from Harvard Medical School. Most medications — nasal sprays, antihistamines and the like — only treat the symptoms, not the underlying sensitivity.The only way to diminish allergy is through immunotherapy. Allergists typically provide injections, starting with a tiny bit of what bothers the patient and slowly ramping up to larger amounts.

Immunotherapy does not exactly provide a "cure," says Dr. Linda Cox, an allergist in Fort Lauderdale, Fla. But it can greatly reduce annoying symptoms. For example, she said, many people come to her practice because they can't stand more than five minutes in a house with a cat. After immunotherapy, they frequently report they can spend the night in a feline-occupied home. That's not to say they're necessarily ready to adopt several kittens for their own abode; it just means they'll need fewer tissues and less Benadryl when Fluffy is nearby."Nothing works 100% on everybody," says Dr. Michael Blaiss, an allergist at the University of Tennessee Health Science Center in Memphis. He estimates that 4 in 5 people who get allergy shots reap the benefit.

Only 5% of eligible allergy sufferers actually sign on for immunotherapy, Cox says, in part because it is quite inconvenient. People need shots weekly or more often — for weeks or months — to build up immunity. After that, doctors prescribe three or more years of maintenance shots, roughly monthly, to make sure the effects stick. Each shot requires a doctor's visit, and patients must wait in the office for half an hour afterward to make sure they don't have an adverse reaction.

Soon, U.S. patients might be able to get the same therapy in a convenient, take-at-home pill. Recent clinical trials have shown a dissolvable, under-the-tongue tablet to be safe and effective. (See related story.)

'Scared of food'

People with food allergies have relatively few options. The only accepted method for coping with such an allergy is to avoid that particular food — no easy task when the allergen is as common as milk, wheat or the dreaded peanut.

"You're just constantly afraid; you're scared of food in general," says Toni Lacerte of Dallas. Her two daughters used to skip birthday cake and many other foods for fear of peanut contamination. After immunotherapy with Wasserman, fear of food is no longer a problem. "I really like not knowing what I'm eating," says Lacerte's daughter Taylor, 15.

Wasserman is among a few allergists bucking the mainstream by offering immunotherapy for food allergy. He presented some of his results this year at a meeting of the American Academy of Allergy, Asthma and Immunology in New Orleans. He has now completed the therapy on nearly 60 patients, he says, with 30 more in progress. After several months of treatment, he reports, many of those patients can tolerate one egg or a dozen peanuts.

A victory against a food allergy is challenging because the allergens, such as peanuts, are particularly potent, Blaiss says — a tiny amount can kill."The obstacle has been trying to do it without causing severe reactions," Wood says, noting that in a five-subject study of peanut allergy shots more than 10 years ago, all patients suffered serious allergic reactions and one died. For that reason, food allergy researchers have switched from attempting to use shots, which put the allergen directly into the bloodstream, to giving the allergen as a food or pill. The approach is much more promising.

In 2008, Wood and colleagues reported on a study of milk allergy in which they gave 20 allergic children either a slowly escalating dose of milk protein or a placebo. By the end of the treatment, kids in the treatment group could comfortably consume, on average, more than 100 times more milk protein than those in the placebo group could handle. That study was published in the Journal of Allergy and Clinical Immunology.

Wood has also tried immunotherapy in children sensitive to eggs and peanuts, and some of those kids can now eat as much as they want of the formerly forbidden food. However, he noted, current studies are very small and not everyone gets good results. It remains unclear whether allergies will return in the future. Wood advises that, for now, children should receive this therapy only in a closely supervised research trial.
Parents "are going to need to be patient while all the details are worked out," he says.

Fears on each side

Patience is a hard sell for parents and children confronting a life-or-death situation with every menu. Waiting, in a sense, can be as risky as treatment.

Delia Cagle, of Richardson, Texas, tears up as she recalls how her son Chad, now 8, had to sit by himself at lunch in kindergarten lest the egg products in other children's food kill him. When he was quite small, he had a severe reaction after she cooked a casserole containing a bit of mayonnaise, even though she washed her hands before preparing Chad's egg-free meal. "He turned blue and went limp in my arms," Cagle recalls.To end that fear, the Cagles chose to trust Wasserman and put Chad in immunotherapy.Wasserman maintains that it's better to actively treat food allergies than to simply hope that kids don't encounter their allergen when far from home.

Delia Cagle, for one, agrees. "I feel like it is so much safer," she says of her son's life post-treatment. She no longer fears Chad will die after an accidental brush with egg. In fact, he now eats two eggs every day to keep up his resistance.But a dozen or so of Wasserman's patients dropped out of the therapy — some because they didn't like the food, and others because they had bad reactions. A few of those reactions, he reported at the New Orleans meeting, happened at home.

Those reactions are what worry more mainstream allergists. They say there are no standards for the right dose of food allergen, the right way to select patients or how to carry out the treatment. According to Wood and the authors of the recent editorial, up to 18% of patients won't be able to tolerate the side effects."I'm real scared about putting peanut powder in children with peanut allergies," says Blaiss, a past president of the American College of Allergy, Asthma & Immunology. "We just don't know all the answers yet."

health@latimes.com